I knew the first shoot went too well. Everyone was professional, friendly and on
time. It set up my expectations for
smooth sailing from there on out, but now I know better. Don’t get me wrong, this 1940’s inspired
shoot ended up great. But I damn near
had a nervous breakdown when I first heard the news.
First off, I know there are stereotypes about models being
flaky. I’ve had the fortune to
experience mostly otherwise in my past. I feel
like if you create an excitement about the shoot and have a genuine bond with
those you’re working with (as well as call and/or email them neurotically the
week of), they will show up, right?
Apparently not. Now remember, the
location is in the country, and most models are coming from Bristol or
London. So when the model emailed me an
hour before the shoot I didn’t have a lot to work with. My fabulous MUA and hair-stylist, Nina Spinks, came all the way from London and she had already arrived to the
location when I found out the bad news.
So I obviously couldn’t cancel, that would be messed up.
Let me also mention that I had just returned from Seattle
the night before. It took me 21 hours to
get home and I wasn’t exactly firing on all cylinders. My first instinct was panic. I sat with that for a few minutes while I
listened to suggestions like shoot myself, acting as photographer and
model. Can you imagine? I hadn’t worked with Nina before and she might
think she came all the way from London for me to shoot my own vanity project, getting
my hair and makeup done, dressing up and running around posing and composing like
a crazy person.
Luckily my amazing
stylist, Kate Sly at Fashion Farmer is 5’10, has beautiful, classic features
and was willing to jump in and act as the model. Not only did she pick out amazing clothes from Vintage Tramp and Hay Does Vintage,
she also fit the look I was going for perfectly. Check out some of the photos we achieved
below. And a big thank you to Candace Penter, who is a student at Exeter College.
She came to shadow makeup and hair (and will be working with us on a
future shoot), as well as assisted me on the photography side of things. Also, thank you to Dan Shears, who is the proprietor of the
West of England Transportation Collection.
Without his support none of this would be possible.
So what should I do in the future? Probably book two models, but I’m hesitant to
do that for every shoot. My strategy
right now is to email and call my models in a way that borders on harassment,
though I feel like I might be setting myself up for failure that way. I’ll have to have a long think about it. No time now, the next shoot is this
Saturday. But it’s comforting to know
Kate will be there for each one. I
will be sure to let you know how it goes.
And if you have any thoughts, suggestions are happily welcomed.
alexandragunnoe.com
alexandragunnoe.com
